whiteout: letting your poetic words breathe freely

 

Poetry writing can become a bit stale if we fail to vary our method of execution. Yesterday, I brought an offering of magnetic poetry to the table. Sometimes it’s a haiku or three, maybe other forms of micropoetry or an ode, or sonnet, can be seen.

Today I am joining in with a bit of whiteout poetry where words emerge from shaded darkness whited out, looking to escape their confines and fly like birds, freed from a cage of conformity.

My first attempt has been inspired by a post on my adventurous poet friend, Kat Myrman’s site. The link up is available here if you also fancy some poetic fun, whereby we draw words out from a given poem, creating one of our own in the process. Here’s this week’s poem to work with….

February Elegy by Mary Jo Bang
© Mary Jo Bang

This bald year, frozen now in February.
This cold day winging over the ugly
Imperfect horizon line,

So often a teeth line of ten buildings.
A red flag
flapping
In the wind. An orange curtain is noon.
It all hurts her eyes. This curtain is so bright.
Here is what is noticeably true: sight.
The face that looks back from the side

Of the butter knife.
A torn-bread awkwardness.

The mind makes its daily pilgrimage
Through riff-raff moments. Then,
Back into the caprice case to dream
In a circle, a pony goes round.

The circle’s association: There’s a center
To almost everything but never
Any certainty. Nothing is
More malleable than a moment. We were
Only yesterday breathing in a sea.
Some summer sun
Asked us over and over we went. The sand was hot.

We were only yesterday tender hearted
Waiting. To be something.
A spring. And then someone says, Sit down,
We have a heart for you to forget.
A mind to suffer
With. So, experience. So, the circus tent.
You, over there, you be the girl
In red sequins on the front of a card selling love.
You, over there, you, in black satin.
You be the Maiden’s Mister Death.

*****************************************

Frozen February

Frozen now in February—this cold day

flapping in the wind—it all hurts her eyes

so bright…

Here is what is noticeably true:

the mind makes its daily pilgrimage

through riff-raff moments

There’s a centre to almost everything

but never any certainty

We were only yesterday tender-hearted

waiting to be something:

a spring, a mind to suffer with

You, over there, you be the girl

selling love

You, over there, you…

be the Maiden’s Mister Death

©joylenton2017